New review of the Meerkat Murders posted by Steven Robson for Readers’ Favorite.
The Meerkat Murders by R. J. Corgan is a murder mystery that delves into the darker side of human nature under the volatile skies of the Kalahari when Dr. Kea Wright is invited to join a research expedition by her good friend Tamaya Rose. This expedition, comprised of students and teachers from Burlingame University of San Diego, is studying several meerkat clans in Botswana. Kea’s initial surprise at being invited is pushed aside by a sequence of events that eventually leads to two deaths; one seemingly through sheer bad luck and one more sinister in nature. How Kea slowly unravels the mystery behind these tragic losses, whilst dealing with the majesty and brutality of the environment in which she is placed, will hold you captive until the very last word.
R. J. Corgan’s The Meerkat Murders is a slick and sublimely constructed voyage into the world of the African wilderness, juxtaposing the widely varied nature of human beings with the equally varied extremes of the ecosystem. Parts of this book will make you cringe at the depths of depravity people can plumb in pursuit of their own agendas, whilst other parts showcase the good that we are all capable of doing.
“… A really interesting story, filled with realism and excellent descriptions that proved to me the author had not only done his research, but also experienced much of the African landscape and settings detailed within the story. I was impressed how this story was woven together, with descriptions and details that really made me feel present – but not so heavily over-the-top to slow the plot or action down. It’s a delicate balance that isn’t easy to achieve and I feel the author managed this really well…”
I was invited to be a guest poster on Hopelessly Devoted Bibliophile’s site, talking on the topic of building characters in fiction: how to make them interesting, without resorting to giving them, say, an eye patch.*
Excerpt: “Asked to read a first draft, a beta reader informed me: ‘It’s okay, but your main character doesn’t have enough flaws.’ A second reader said of the same draft replied, ‘She has too many flaws!’ This led me to ask the question: When is your lead character sufficiently flawed enough to be interesting, but not too much that it alienates the reader? In the case of Sherlock Holmes, the character does heroin for a little while, either for undercover work or for fun/addiction, but only enough to make him dark and edgy. Watson, the reader’s guide, dries him out. You can make you character an alcoholic, but at some point the character has to remain vertical long enough to solve a crime…”